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		<title>SOUND IN THE MACHINE</title>
		<link>http://soundinthemachine.org</link>
		<lastBuildDate>Sun, 14 Mar 2010 21:55:18 GMT</lastBuildDate>
		<pubDate>Sun, 14 Mar 2010 21:55:18 GMT</pubDate>
		<language>en</language>
		<copyright>Creative Commons Attribution-Noncommercial 3.0 United States License</copyright>
		<itunes:subtitle>a podcast for technological sound</itunes:subtitle>
		<itunes:author>Brian Snead</itunes:author>
		<itunes:summary>Sound in the Machine is an audio podcast about sound, particularly the sounds of technology. 

Sound in the Machine is for anyone interested in sound. You can expect episodes to be between 10 and 15 minutes and to be released every few weeks, along with a transcript, references, and other related info at Sound in the Machine.org.</itunes:summary>
		<description>Sound in the Machine is an audio podcast about sound, particularly the sounds of technology. 

Sound in the Machine is for anyone interested in sound. You can expect episodes to be between 10 and 15 minutes and to be released every few weeks, along with a transcript, references, and other related info at Sound in the Machine.org.</description>
		<itunes:owner>
			<itunes:name>Brian Snead</itunes:name>
			<itunes:email>briansnead@gmail.com</itunes:email>
		</itunes:owner>
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		<itunes:explicit>no</itunes:explicit>
		<itunes:category text="Technology" />
		<item>
			<title>Special: The Brian Dunning Interview</title>
			<itunes:author>Brian Snead</itunes:author>
			<itunes:subtitle>Special: The Brian Dunning Interview</itunes:subtitle>
			<itunes:summary>An interview with Brian Dunning, the creator and host of the Skeptoid podcast. This podcast, which answers all manners of pseudoscience and cultural myth with scientific reality, has a weekly audience of over 80,000 listeners and is a TOP 5 science podcast on iTunes. In this version of the interview, you’ll hear a bit about Skeptoid and his presentation entitled, Sounds from Beyond, which he describes as “weird recordings and sounds from all areas of the paranormal.”</itunes:summary>
			<itunes:explicit>no</itunes:explicit>
			<itunes:block>no</itunes:block>
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			<pubDate>Sat, 26 Sep 2009 17:40:00 GMT</pubDate>
			<itunes:duration>00:18:21</itunes:duration>
			<itunes:keywords>Brian Dunning, skepticism, sonic literacy, paranormal, psuedoscience</itunes:keywords>
		</item>
		<item>
			<title>Schuhkistenaufnahmen aus Berlin</title>
			<itunes:author>Brian Snead</itunes:author>
			<itunes:subtitle>Schuhkistenaufnahmen aus Berlin</itunes:subtitle>
			<itunes:summary>Waehrend eines Aufenthalts bei der Grossmutter meiner Frau schaute man sich bei Kaffee und Kuchen alte Bilder aus einer Schuhkiste an. Und da kam mir die Idee:  Aufnahmen aus der Schuhkiste als Audioversion.</itunes:summary>
			<itunes:explicit>no</itunes:explicit>
			<itunes:block>no</itunes:block>
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			<pubDate>Sat, 22 Aug 2009 20:16:00 GMT</pubDate>
			<itunes:duration>00:14:19</itunes:duration>
			<itunes:keywords />
		</item>
		<item>
			<title>Special #2: Shoebox Shots from Berlin</title>
			<itunes:author>Brian Snead</itunes:author>
			<itunes:subtitle>Special #2: Shoebox Shots from Berlin</itunes:subtitle>
			<itunes:summary>Shoebox Shots from Berlin is all about everyday sounds from a Christmas vacation spent in Berlin. While hanging out at my wife’s grandmother’s place over cake and coffee, out came a shoebox filled with piles of old snapshots. That’s it, I thought, why not do the same thing with audio? And here we are.</itunes:summary>
			<itunes:explicit>no</itunes:explicit>
			<itunes:block>no</itunes:block>
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			<pubDate>Thu, 06 Aug 2009 21:02:00 GMT</pubDate>
			<itunes:duration>00:13:54</itunes:duration>
			<itunes:keywords>soundscape, berlin, murray schafer, recording, hypermediacy, germany</itunes:keywords>
		</item>
		<item>
			<title>Sonic Weapons</title>
			<itunes:author>Brian Snead</itunes:author>
			<itunes:subtitle>Sonic Weapons</itunes:subtitle>
			<itunes:summary>Spoiler warning: I have almost nothing positive to report on sonic weaponry. Whatever goes by that name is both over-hyped and ineffective. But in this is a disconcerting catch. Even if sonic weapons aren’t strong enough to tear people’s guts apart in combat, they are capable of causing serious damage to the ears and psyche. Labeled ‘Non-Lethal Weapons,’ these devices are most effectively used to harass private citizens, protesters and to aid in the torture of prisoners.</itunes:summary>
			<itunes:explicit>no</itunes:explicit>
			<itunes:block>no</itunes:block>
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			<pubDate>Mon, 06 Jul 2009 13:30:00 GMT</pubDate>
			<itunes:duration>00:12:55</itunes:duration>
			<itunes:keywords />
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		<item>
			<title>Hearing the Music and Listening to the Record</title>
			<itunes:author>Brian Snead</itunes:author>
			<itunes:subtitle>Hearing the Music and Listening to the Record</itunes:subtitle>
			<itunes:summary>We tend to hear recordings completely divorced from the apparatus that makes them possible, as if we weren’t listening to recordings at all, but something somehow 

self-contained and one-dimensionally diegetic: it’s a given that any particular recorded piece of music is nothing but that piece of music, performing itself as we perform 

ours. But this is what we’ve learned from an industry that was only ever concerned with obliterating our conscious awareness that recordings are in fact different from live 

performances. Recorded music has almost always sought to silence the medium.</itunes:summary>
			<itunes:explicit>no</itunes:explicit>
			<itunes:block>no</itunes:block>
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			<pubDate>Fri, 08 May 2009 13:39:00 GMT</pubDate>
			<itunes:duration>00:17:54</itunes:duration>
			<itunes:keywords>recording, recorded music, cassette culture, lo-fi, hi-fi, remediation, hypermediacy, immediacy, sonic literacy, Jay David Bolter, Richard Grusin, Jonathan Sterne</itunes:keywords>
		</item>
		<item>
			<title>Special: Dialog in the Dark</title>
			<itunes:author>Brian Snead</itunes:author>
			<itunes:subtitle>Special: Dialog in the Dark</itunes:subtitle>
			<itunes:summary>After spending a good hour or so walking into walls and groping strangers at Dialog in the Dark, called “the greatest exhibit you’ll never see,” I’ve done some thinking. What must it be like to live without seeing? And why do we keep using the old dark and light metaphor? Who even knows what darkness is all about? I mean the dark really-- dark without even the glow of an alarm clock or the rogue sliver of light peeping underneath a door—dark without end, dark because light does not exist for us.</itunes:summary>
			<itunes:explicit>no</itunes:explicit>
			<itunes:block>no</itunes:block>
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			<pubDate>Sun, 15 Mar 2009 21:13:00 GMT</pubDate>
			<itunes:duration>00:09:31</itunes:duration>
			<itunes:keywords>&amp;amp;#38;#34;dialog in the dark&amp;amp;#38;#34;</itunes:keywords>
		</item>
		<item>
			<title>Rattle and Bump: How Sound Gets Around</title>
			<itunes:author>Brian Snead</itunes:author>
			<itunes:subtitle>Rattle and Bump: How Sound Gets Around</itunes:subtitle>
			<itunes:summary>That fleet of dump trucks that comes down your street Saturday mornings at 6, rattling your windows and spooking your dog, isn’t so much loud as it is transferring sound energy into the street, under your house and shaking everything right up to your bedroom walls, which then vibrate like so many massive speakers all around you.</itunes:summary>
			<itunes:explicit>no</itunes:explicit>
			<itunes:block>no</itunes:block>
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			<pubDate>Fri, 27 Feb 2009 21:05:00 GMT</pubDate>
			<itunes:duration>00:09:24</itunes:duration>
			<itunes:keywords />
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		<item>
			<title>The Swaying Car Door</title>
			<itunes:author>Brian Snead</itunes:author>
			<itunes:subtitle>The Swaying Car Door</itunes:subtitle>
			<itunes:summary>The sound of a closing car door is no coincidence. It’s a carefully constructed sound intended to communicate ‘luxury,’ ‘safety,’ and ‘quality’ to the consumer. Its affect is the goal of all marketing efforts: the creation of an emotional will to purchase.</itunes:summary>
			<itunes:explicit>no</itunes:explicit>
			<itunes:block>no</itunes:block>
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			<pubDate>Wed, 21 Jan 2009 22:51:00 GMT</pubDate>
			<itunes:duration>00:11:46</itunes:duration>
			<itunes:keywords>aurality, car door, car door sound, sonic literacy</itunes:keywords>
		</item>
		<item>
			<title>Machines That Talk to Us</title>
			<itunes:author>Brian Snead</itunes:author>
			<itunes:subtitle>Machines That Talk to Us</itunes:subtitle>
			<itunes:summary>An introductory escapade through automated voice technology.</itunes:summary>
			<itunes:explicit>no</itunes:explicit>
			<itunes:block>no</itunes:block>
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			<pubDate>Fri, 28 Nov 2008 17:22:33 GMT</pubDate>
			<itunes:duration>00:15:07</itunes:duration>
			<itunes:keywords>Text-to-speech synthesis, self-checkout, screen reader, auditory display, sonification, narration, sound at the user interface</itunes:keywords>
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		<item>
			<title>A Tourist in the Soundscape</title>
			<itunes:author>Brian Snead</itunes:author>
			<itunes:subtitle>A Tourist in the Soundscape</itunes:subtitle>
			<itunes:summary>An introduction to Murray Schafer's 'Soundscape.'</itunes:summary>
			<itunes:explicit>no</itunes:explicit>
			<itunes:block>no</itunes:block>
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			<pubDate>Thu, 23 Oct 2008 16:53:00 GMT</pubDate>
			<itunes:duration>00:16:25</itunes:duration>
			<itunes:keywords>keynote, soundmark, Murray Schafer, acoustic ecology, signal, World Soundscape Project</itunes:keywords>
		</item>
		<item>
			<title>Introduction</title>
			<itunes:author>Brian Snead</itunes:author>
			<itunes:subtitle>Introduction</itunes:subtitle>
			<itunes:summary>An introduction to Sound in the Machine</itunes:summary>
			<itunes:explicit>no</itunes:explicit>
			<itunes:block>no</itunes:block>
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			<pubDate>Mon, 29 Sep 2008 14:49:00 GMT</pubDate>
			<itunes:duration>00:04:35</itunes:duration>
			<itunes:keywords>sound technology podcast aurality &amp;amp;#38;#34;sonic literacy&amp;amp;#38;#34;</itunes:keywords>
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